\n
\n
\n![\"And,]( "\\"And,")
<\/span><\/a>\n
![\"And,](\"https:\/\/image.photography\/1\/wp-content\/uploads\/2020\/03\/M-N0001944.jpg\" "\\"And,")
<\/span><\/a>\n
And, the final result! Silvia Hernando Alvarez is a Spanish artist who exhibited “Under the Red Light” at Taskeel’s gallery in Nad al Shebai, Dubai. This fictional body of work portrayed the artifacts left abandoned in a Mars station in the future. Sil had a strong idea of how she wanted to be portrayed.<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Spanish]( "\\"Spanish")
<\/span><\/a>\n
<\/span><\/a>\n
Spanish artist Silvia Hernando Alvarez making a photogram portrait<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Spanish]( "\\"Spanish")
<\/span><\/a>\n
<\/span><\/a>\n
Spanish artist Silvia Hernando Alvarez planning her photogram portrait. She is interested in non-truths and the history of representation \u2013 fact versus fiction and history versus myth.<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Turkish]( "\\"Turkish")
<\/span><\/a>\n
<\/span><\/a>\n
Turkish artist Umit Sale making her collaborative portrait at the Tashkeel art studio in Dubai. Umit who used to be an artchitect is now a painter – and her portrait references the golden circle geometry that carries over into her artwork.<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Turkish]( "\\"Turkish")
<\/span><\/a>\n
<\/span><\/a>\n
Turkish artist Umit Sale during the exposure of her collaborative portrait at the Tashkeel art studio in Dubai. Umit who used to be an architect is now a painter. We constructed the golden circle with a garden hose which gave it a beautiful 3 dimensional texture.<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Turkish]( "\\"Turkish")
<\/span><\/a>\n
<\/span><\/a>\n
Turkish artist Umit Sale trialing the design for her collaborative portrait at the Tashkeel art studio in Dubai. Umit who used to be an architect is now a painter – and her desire for planning and perfection.<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Priyathanya]( "\\"Priyathanya")
<\/span><\/a>\n
<\/span><\/a>\n
Priyathanya Ramanath beside her second photogram portrait<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"We]( "\\"We")
<\/span><\/a>\n
<\/span><\/a>\n
We placed 2 pot plant on the edge of the swimming pool for the making of Priyathanya Ramanath’s photogram portrait. They came out remarkably well considering that the wind kept moving the fabric.<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Indian]( "\\"Indian")
<\/span><\/a>\n
<\/span><\/a>\n
Indian born artist Priyathanya moved from IT to painting. Her work considers family. Her photogram reflects her tendency to dive into her work, and the splash references David Hockney’s “The Big Splash”.<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Artist]( "\\"Artist")
<\/span><\/a>\n
<\/span><\/a>\n
Artist Priyathanya making a photogram showing her diving into her work<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Priyathanya]( "\\"Priyathanya")
<\/span><\/a>\n
<\/span><\/a>\n
Priyathanya Ramanath making waves for the swimming pool which features in her photogram portrait<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Iranian]( "\\"Iranian")
<\/span><\/a>\n
<\/span><\/a>\n
Iranian artist Yosra Emamizadeh views her collaborative portrait at the Tashkeel art studio in Dubai. She is reaching for the moon, and is surrounded by a repeating pattern of pomegranates – a reference to a continuing theme in her own work.<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Iranian]( "\\"Iranian")
<\/span><\/a>\n
<\/span><\/a>\n
Iranian artist Yosra Emamizadeh examines a photograph of her collaborative portrait at the Tashkeel art studio in Dubai. She is reaching for the moon, and is surrounded by a repeating pattern of pomegranates – a reference to a continuing theme in her own work.<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Iranian]( "\\"Iranian")
<\/span><\/a>\n
<\/span><\/a>\n
Iranian artist Yosra Emamizadeh trials the design for her collaborative portrait at the Tashkeel art studio in Dubai.<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"CharLes]( "\\"CharLes")
<\/span><\/a>\n
<\/span><\/a>\n
CharLes with her first photogram portrait<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"CharLes]( "\\"CharLes")
<\/span><\/a>\n
<\/span><\/a>\n
CharLes making a photogram portrait<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Gosia]( "\\"Gosia")
<\/span><\/a>\n
<\/span><\/a>\n
Gosia van Unen with her photogram portrait<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![]( "\\"OLYMPUS")
<\/span><\/a>\n
<\/span><\/a><\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Gosia]( "\\"Gosia")
<\/span><\/a>\n
<\/span><\/a>\n
Gosia van Unen making the first version of her photogram portrait<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Behnoosh]( "\\"Behnoosh")
<\/span><\/a>\n
<\/span><\/a>\n
Behnoosh Feiz with her photogram portrait<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Behnoosh]( "\\"Behnoosh")
<\/span><\/a>\n
<\/span><\/a>\n
Behnoosh Feiz as an embryo<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Behnoosh]( "\\"Behnoosh")
<\/span><\/a>\n
<\/span><\/a>\n
Behnoosh Feiz as an embryo. Assisted by Yosra Emamizadeh<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Behnoosh]( "\\"Behnoosh")
<\/span><\/a>\n
<\/span><\/a>\n
Behnoosh Feiz’s photogram considers life as an embryo. Assisted by Yosra Emamizadeh<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Hadil]( "\\"Hadil")
<\/span><\/a>\n
<\/span><\/a>\n
Hadil Moufti reflects on her photogram at Tashkeel in Dubai<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Hadil]( "\\"Hadil")
<\/span><\/a>\n
<\/span><\/a>\n
Hadil Moufti is a Saudi artist who uses paint, colour and objects to depict fantastical landscapes and imaginary worlds.<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Lia]( "\\"Lia")
<\/span><\/a>\n
<\/span><\/a>\n
Lia Staehlin shows her creative side breaking free<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Mike]( "\\"Mike")
<\/span><\/a>\n
<\/span><\/a>\n
Mike Arnold with photogram<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Sikka]( "\\"Sikka")
<\/span><\/a>\n
<\/span><\/a>\n
Sikka 2019 – The huge “Nurturing Artists” photogram together with prints from “Where The Sun Always Shines”<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
<\/div>\n<\/div>\n
\n![\"Priyathanya]( "\\"Priyathanya")
<\/span><\/a>\n
<\/span><\/a>\n
Priyathanya Ramanath examines her photogram portrait<\/div>\n<\/div>\n<\/figcaption><\/figure>\n
![](\"https:\/\/image.photography\/1\/wp-content\/uploads\/2020\/03\/M-U0002790.jpg\"){kind=link}